| The Image of Medea in the works of Euripides, Seneca and Christa Wolf | Cemile AKYILDIZ ERCAN, Dursun BALKAYA | 1–11 |
| On the Fact of Bildungsroman and the Luck in the “Confessions of the Swindler Felix Krull” by Thomas Mann | Şenay KAYĞIN | 13–24 |
| Male and Female Psychology in Marriage in “Happy End” by Kurt Martı | Nalan SAKA | 25–34 |
| Female and Male Figure Types on Hellenistic Lydian Gravestones | Abdullah Kasım SONKAYA | 35–63 |
| Evaluations by English Embassy Related to Proclamation of Second Constitutional Monarchy | Orhan TURAN | 65–86 |
| Poet Faruk Shousha “Yakulu ed-demu al-Arabi Called” -A Structuralist Approach- | Dessoukı İBRAHIM MOHAMED İBRAHIM | 87–119 |
| The Relations of the Prophet (pbuh) with non-Muslims | Eid FATHİ ABDELLATİF ABDELAZİZ, Mehmet AKIN | 121–146 |
| Lutfî’s Gul u Nevrûz and its Copies | Süleyman EFENDİOĞLU | 147–172 |
| The Place of Kyrgyz Call-and-Response Duet “Akıynek” in Child Education | Mayramgül DIYKANBAYEVA | 173–180 |
| An Overview on Azerbaijan Press during the Period of Tsarist | Elif KOÇ | 181–196 |
| Mohammad Hejazi’s Life, Literary Personality and His Story Named “Two Beggars” | Nurgül KINA | 197–211 |
| The Function of Censorship in Translation and Patronage | Seda TAŞ | 213–233 |
| THE TEMPERAMENT MASKS OF MIKE CHASE: THEORY AND PERFORMANCE | Yeliz BİBER VANGÖLÜ | 235–244 |
| “Pygmalion” and “Pretty Woman” in the Light of Intertextual Relations | Esra ÜNSAL OCAK | 245–260 |
| A Radical Feminist Analysis of Charlotte Perkins Gilman’s Novel Called “Herland” | Arzu ÖZYÖN | 261–268 |
| A Socio-Economic Formation Before Police in Ancient Greek: Oikos |