CINEJ Cinema Journal

Yıl 2012 , Cilt 1 , Sayı 2

Makale

Return to reality: towards a more tactile cognition of film theory

Murat AKSER ,

Bu makale 674 defa görüntülendi.

To find is to choose, to choose is to create: culture(s) in cinematic and architectural space(s) stoker’s dracula (1992)

Asu BESGEN GENCOSMANOGLU ,

Bu makale 648 defa görüntülendi.

The avenging females: a comparative analysis of kill bill vol.1-2, death proof and sympathy for lady vengeance

Basak GÖKSEL DEMIRAY ,

Bu makale 695 defa görüntülendi.

Historical “truth,” constructed memory: restaging germany’s

Katrin B MASCHA ,

Bu makale 743 defa görüntülendi.

Necessary fictions: from cinéma vérité to ciné, ma vérité(s)

Rowena SANTOS AQUINO ,

Bu makale 726 defa görüntülendi.

Secrets, trauma, and the memory market (or the return of the repressed in recent argentine post-dictatorship cultural production)

Silvia R TANDECIARZ ,

Bu makale 643 defa görüntülendi.

The thin blue line:how can we destroy actuality with editing?

Özlem TUGCE KAYMAZ ,

Bu makale 670 defa görüntülendi.

Seeking god in early bergman: the cases of the seventh seal and winter light

Esma KARTAL ,

Bu makale 693 defa görüntülendi.

Transperance me i want to be visible gay gaze in tom ford’s film a single man

Selen GOKCEM ,

Bu makale 640 defa görüntülendi.

Garden of ambivalence the topology of the mother-child dyad in grey gardens

Defne TÜZÜN ,

Bu makale 763 defa görüntülendi.